“i think album artwork should very closely match the music, but one could argue that all associations therein are objective. “also, for The Fragile, the music and artwork was different for the CD, vinyl and cassette releases in subtle ways that only fans would notice or care about, which made it all the more rewarding. one review at the time said that this record was like ‘industrial rock’s Pet Sounds.' this was a statement that stuck with me as i knew i wanted to be responsible for making artwork that defied preconceptions about a band or film, to the point where comments like that might be made. “the vinyl gatefold design that single-handedly made me want to be a graphic designer is for Nine Inch Nails’ The Fragile, designed by David Carson - it’s a very simple combination of blown-up, zoomed-in, richly coloured photographs and beautiful custom typography.”Ĭaspar (v): “at first glance, i was tickled by the cropping of the band’s logo on the cover, as it felt like a beautiful and emotional way of expressing that this is the band's return after five years with a softer, more timid, more experimental, and less nihilistic record.”Ĭaspar (v) “furthermore, up to that point, this was artwork that you’d never expect from this particular band, and thus it transformed the perception of their music into something else entirely. we tend to forget how, for some people out there, a sleeve can draw someone to music they would have never otherwise listened to. ![]() a lot of people have a very throwaway attitude to vinyl artwork, but i buy vinyl as much for the sleeves as for the music. ![]() “beyond that, i want a sleeve you can get lost in, whether it’s the haptics of it, the smell of it, the details in the artwork, or something you immediately want to frame. record artwork, to quote a movie, should feel like 'bottled promise.' He was responsible for the overall design of the vinyl and CD packages for 65daysofstatic’s No Man’s Sky: Music For An Infinite Universe soundtrack album, on which he collaborated with illustrator John DeLucca (more from him later).Ĭaspar (v): “ i want to see something that makes me walk over and grab a record violently off the store shelf or immediately make me head to the nearest streaming service mad with curiosity about how this record must sound. Subtly does it Caspar Newbolt, aka caspar (v), is a New York-based artist, graphic designer and filmmaker Specifically, we asked about what they personally like to see on albums how they go about designing for the wider gatefold canvas and some of their favourite album art from their own record collection. In order to celebrate the medium of vinyl album artwork and sleeve design, and highlight some of the pieces that have graced Laced Records records, we spoke to many of the talented artists that the label has worked with so far. One happy side effect - or is it a driving force? - of the revivification of the vinyl format is the increase of opportunities for artists and designers to create compelling printed art to be spread across multiple 12” by 12” panels. There are a few bastions of non-advertorial, physical art outside of galleries, among them magazines, art books, - and music album packaging. So I’m told, it’s a rare treat to see their work in print. Often, they’re creating digital art in order to better be able to earn a living, as well as simply keep up with the times. Something where the colours sit comfortably on the surface, rather that stab at your retinas with artificial light.Īrtists are a group that increasingly know all about staring at screens for countless hours at least those illustrators, painters, photographers, and graphic designers that choose to harness digital tools. Sometimes, it’s nice just to look at a physical picture something you can hold in your hands, and tilt to catch the light just right. It’s also goddamn overwhelming, often dehumanising, and harmful to our eyes and minds. Endless feeds of imagery scroll past our sight and consciousness. Screens are everywhere today, with every corner packed with as much visual information as possible. ![]() We spoke to some of the illustrators and designers that have created beautiful art for Laced Records releases: about their design philosophy, their favourite covers and gatefolds, and how they approach album artwork.
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